Love Story Movie Review: Sense and Sensibility

How does one define respect? Is it sleeping to adhere to the rules of the section, or is it sleeping to create a safe environment and instill confidence in the child to be able to speak when things go wrong? Director Sekhar Kammula uses the most entertaining artist platform to make the family audience stand out.

Love Story has all the catch on Kammula film. Music (original composer Pawan Ch) can take us off our feet, a powerful lead girl dancing like a dream and the hero is a perfect gentleman. Romance flourishes on the plains of middle-class homes in Padmarao Nagar, Secunderabad. As the film progresses in a more dignified setting, with no larger frills than life, it shows how the film can absorb it if there is good text.

In Armoor, Telangana, Revanth (Naga Chaitanya) grew up listening to his mother (Easwari Rao) reiterating the importance of leadership and living with dignity. You tell him that it is better to be in a situation where you can provide financial assistance than to get it. Revanth’s is a success story; he owns a small Zumba center in the big city. There are challenges, but you are in a situation where you can hire someone.

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Sekhar compares this to Mounica (Sai ​​Pallavi), a high-profile girl who comes to town with dreams in her eyes. His family owns hectares of land, but he has to fight for his rights – financial and so on. He realizes that his low grades in engineering will not earn him a salary. After a long day of Happy Days (2007), when Kammula focused on engineering campuses, she showed us another side – an engineer who embraced her dance art to move on in life, rather than pressing keys on a computer from dawn to dusk. Mounica gets its own flying wings but lives in constant fear that its family will not allow its work. He says ‘narakam’ (hell) and you can sympathize with his grief.

In the city, there is no difference between the ‘we’ and the ‘them’, at least at the highest level. Revanth and Mouncia can take Zumba and dance classes together and make a living. However, cracks in the community are highlighted in the case of one couple.

Back in Armoor, there are talk shows where Revanth and his mother continue to be looked down upon by the elite family. His work is ridiculed and one does not think twice before giving him second-hand shirts.

The appropriate responsibilities of Mounica and Revanth from the past serve as an undercurrent to romance. Tired of class distinctions. He too is struggling with a complex issue and needs to have the courage to speak up. He finds comfort in the city since he is able to breathe for free, and he does not have to look to his shoulders for safety. In a cleverly crafted situation, he tells Revanth that he will dance on the condition that he stays two meters high. We know he is not talking about caste; something else left his scar.

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It’s a film where it all comes together in collaboration. Naga Chaitanya and Shai Pallavi put their parts together to fit the characters they portray. Chaitanya is natural and is an icon with all sincerity, winning the role that defines work. Sai Pallavi is very beautiful, expressing a little fear of Mounica. Resources to Easwari Rao and Gangavva’s beautiful cameo. Rajeev Kanakala works as a symbol of arrogance and evil successfully, until I finally hated him completely.

Filled with a few scenes near the Purana Pul (computer graphics?), A reminder of the historical love story Hyderabad is associated with. Revanth and Mounica also have to cross this bridge between storms, figuratively speaking, so they can start life anew.

Love Story may be another Sairaat, but Sekhar cleverly directs it differently in the final act. Romance is one of the most common forms of commercial entertainment, and after all, it is often viewed as critical. But this kept me investing; I watched as I breathed a sigh of relief, hoping that Revanth and Mounica would cross the road.

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